Apr 27, 2011

I Have Reached the Heights of Outdoor Cookery!

I think that outdoor cooking is a guy thing. That's always who's doing it in the comic strips, and comic strips reflect life. Right? I'm sure that when we light that campfire, barbeque grill, or habachi we're thinking of cowboys around the campfire with beans in a pot over the fire and a half side of beef on the spit.   Or maybe a cracklin' fire under that skillet of fresh trout with the sound of that fast moving mountain stream nearby.  Some of my cooking has been a solitary effort, and some a group activity.

As I reach back into my memory for the first time I cooked anything outdoors it was probably when my buddy, Jimmy and I went camping. Of course we were about 9 or 10 years old and unrolled our sleeping blankets within a quarter mile of the farmhouse where I lived. Well, we cooked up some eggs and they stuck to the skillet.  But Jimmy told me that the way to clean the skillet was to scrub it with sand, and wash it out with water.  It got it clean, sort of. The next batch of eggs were kind of gritty.  But that was okay when you're having a great adventure.

Of course one of the first things you cook in the backyard or over a campfire are weiners on the end of a wire coathanger straightened out. There's something primitive about how that piece of meat gets all charred and crunchy.  And, you can eat it right off the wire. That's the way I like mine.

I do remember some group cooking in which I was only an observer.  When I was about seven years old I went to a hash cookin' with my father.  It seems that he would get together with some of his relatives every year and cook a pot of hash for the annual family reunion.  They would have at least two washpots for cooking.  Washpots were used in the olden days to boil clothes in for washing, but they were good for cooking, too. They would fill the pots with pork and a little beef with potatoes and seasonings and cook it all night long.  The meat eventually would literally fall apart,  or would with very little shredding.  My cousin and I would listen to the grown-ups' stories and tales  in the flickering firelight.  Much as we fought it, we would finally fall asleep.  The next day the hash would be served up in little cardboard trays with pickles and white sliced bread, and we would pig-out.

I learned to grill burgers and barbecue chicken.  I get a little impatient with chicken and cook it in the oven for about forty-five minutes before finishing it up on the grill. Steak and pork grilled are some of my favorites. Chicken on a stick is also one of my favorites, as well as bratwurst.  I would never put a brat on the grill before first cooking it in beer, preferably a dark.  And never puncture the brat and let out all that delicious juice.

I first started using a dutch oven when I was a Scout leader. I have a spider Dutch oven.  It' a big iron pot with legs on it and a flat lid to hold the charcoal on top. A dutch oven can be used to bake anything that you can bake in a conventional oven.  I've baked cake, cornbread, biscuits, coblers, and meatloaf in my dutch oven and used it as a big pot to make chicken bog. By the way, they're called dutch ovens because German peddlers sold them.  The Germans spoke "Deutch", pronounced "dutch" by the locals.

We camp a lot.  We've made two coast-to-coast trips and camped along the way. This calls for outdoor cooking, since we are tent campers. Some times we buy fresh produce at local markets.  I made some great corn chowder when we bought some fresh sweet corn in Wisconsin.  I cooked chicken and dumplings beside the Rogue River in Oregon.  Unfortunately, I  had to use Bisquick (I prefer scratch-made.) for the dumplings, but they were good.  My travelmate had picked fresh berries down by the river and made some blackberry dumplings, and I learned from her how to make the dumplings.

One of my favorite methods of cooking is smoking. This is a wet smoke rather than dry smoke.  Dry smoke is used for curing meat for preservation. I use a small smoker that uses charcoal for a heat source.  Over the years I have smoke cooked salmon, chicken, and turkey.  Smoke imparts a unique flavor to the meat that is cooked at a low temperature over a long period of time. The addition of various varieties of wood chips such as apple, pecan, or cherry imparts those flavors to the meat subtlety.   Which brings me to the height of outdoor cookery.

Recently, while in France, I frequently ate duck and liked it.  I had only ordered it once in a resturant here.  I decided that my next cooking project would be smoked duck.  The local Publix supermarket had just the duck I needed.  It weighed in at 4.2 lbs.  From the internet I got a recipe and went to work.  The basting liquid was of made up of orange zest, orange juice, rice wine, rice vinegar, fresh grated ginger, and some other stuff.  I filled the drip pan on the smoker and started the first batch of charcoal.  I basted it once per hour for six hours and continued to add charcoal (I used almost an entire bag.) to keep the temperature up to about 200 degrees. Mesquite wood chips that had been soaked in water were added to generate a smokey mesquite flavor. When the meat thermometer read about 160 degrees I took the duck off the smoker, and the skin was a golden brown.  It had taken  about five and one half hours to cook the duck. The skin was crispy, and the meat had a hint of the basting sauce and a touch of mesquite. It was tender and juicy. This was the best tasting meat I have ever cooked.  Duck gets a  bad rep for being greasy, but this was not the case. I served it up with canelli bean salad and mashed sweet pototoes.

I am sure I will never cook anything better than this duck! 

Apr 24, 2011

Sunday Night on Avenue des Champs-Élysées

aris, FrancOnce I was talking to a local Belgium-born artist and asked him what was his favorite city.  I knew he was a world traveler and no-doubt had a favorite city. He smiled, his eyes sparkled and a smile erupted on his bearded face. 
"Paris," he said.  
I wondered why.  I'd read about the famous people past and present who had called the French city home but wanted to see for myself.


It was our last day in Paris; in the morning we would take the train to Verrnon. In the morning we had visited the Louuvre and  Orsay Museums and had a bit of lunch.  Both museums were crowded but enjoyable just the same. We did , of course, see the Mona Lisa, Da Vinci's painting of world renown. We decided to take a leisurely stroll along the river in an easterly direction from Notre Dame. I looked for Duncan McLeod's barge but did not see it.  It was always tied up opposite Notre Dame in the television series, The Highlander.  The church in the middle of the Seine River is quite impressive, but crowds of tourists seem to overwhelm the spiritual ambiance of the place. 

In the Tuileries Garden we male a brief visit to Musee de l'Orangerie (Orangerie Museum)  showcasing the work of the  artist, Henri Manet.  His paintings of the water lilies in his garden are huge, with one of them covering an entire wall.  Other painters of his era are represented as well. While there we saw an old man dressed  like a painter of that era with flowing beard and floppy hat.  We then continued our walk in the garden and sat for a while on a park bench watching a family play a game of boule.  This game is played throughout Europe but known by different names. Basically a player tries to throw a heavy ball, boule, about softball size at a smaller target ball or "cochonnet".  Points are scored by the player getting closest to the target ball.  It's a team sport and the first team getting to 13 points is the winner.   It was enjoyable to watch a family having so much fun on a Sunday afternoon. I was surprised in our walk not to see any painters with their easels; they were always in the movies.  I did see some cheap reproductions for sale on one of the bridges. It would have been nice to have pulled my beret low over my eyes and dipped a brush into some French ultramarine blue oil and put it on canvas.  Maybe next time.

We continued our walk to Place de la Concorde which is the city's largest square.  The gardens and the square were created by Louis XIV, and later he lost his head there as well as Marie Antionette. Avenue des Champs-Elysees begins here. There was an oriental couple in western wedding garb here talking with well-wishers beside a stretch limousine surrounded by other cars and pedicabs.  We continued our walk along the busy avenue and stopped at a park bench to people watch for a while.  We considered buying some ice cream but thought it was too expensive, one Euro per boule.  They sell it by the "boule" instead of  by the scoop  .  All sorts of vehicles were on the avenue: exotic sports cars, limousines, motorcycles, and the ubiquitous motorscooters.  I actually saw a man doing a wheelie on a scooter.  Some of the French women were dressed to the nines.  The epitome of feminine eye candy!  We walked from the shady tree lined area to where the shops and restaurants were and found a delightful place to eat. It had just opened for dinner. Great food in an incomparable atmosphere. Food isn't cheap in Paris.  Remember everything has that 19% value added tax. And there is no required tipping. I've heard many stories about the rudeness of French waiters.  We found them to be quite professional. You must remember that dining in France is a leisurely experience.

After finishing our dinner, (I had that famous peasant dish, cassoulet, a rich stew of various meats and white beans), we continued walking toward the Arc de Triomphe and saw the shops of all the world famous clothing designers and jewelers and watchmakers. The street was full of a festive crowd and all the streetlamps were now on. There were automobile dealer showrooms and we looked around the Peugeot showroom since we were going to rent a Peugeot when we reached Rouen.  It was amusing to see a salesman apprehending an over zealous shopper asking him to get  out of a car on display.  I did not understand the language but understood the intent. After all I had once been an automobile salesman.

By now it is twilight and the neon is reflecting off the sidewalk as the huge monument to Napoleon's victories looms ahead.  Twelve streets merge at the Arc de Triomphe and are named for army generals.
We join the crowd to enter the 164 foot tall monument. We were unaware that this particular Saturday was "free" day.  On certain days during the year national attractions such as this have the admission charge waived.  This was such a day, and I think every Frenchman between Paris and Nice was there.  But how many times would we get a chance to go tho the top of such a world renowned attraction? So, you stand in line. It wasn't so bad, and we took the elevator, which isn't very obvious.  After the final few steps the panoramic view of Paris, the city of light, awaits us.  There are few lights on top and I was moving toward the rail in semi-darkness when I accidentally bumped into a couple at my feet who were too much  into each other to notice me.  But the young woman looked over his shoulder and gave me a knowing look as I apologized and passed by.  The view is fantastic!  The sun is setting, the city sparkles with lights, and the lighted traffic streams to and from us and circles around our feet. People speak with "u-u-uhs" and "a-a-ahs" in several different languages as the sun descends below the horizon.

We make our descent through the gift shop after reaching ground level. We stop a few minutes to take a photo of the grave of the unknown soldier from WWI. The monument reads:

ICI REPOSE UN SOLDAT FRANÇAIS MORT POUR LA PATRIE 1914–1918 ("Here lies a French soldier who died for the fatherland 1914–1918").
There is an "eternal" flame marking the grave.  It's said that Jacqueline Kennedy got the idea for such a flame for her husband's grave here when she and Jack Kennedy visited this place with then French president Charles de Gaulle.
 
We catch the metro back to our hotel at 110 Rue des Orteaux.  Our hotel is in the part of Paris made famous by the singer Edith Piaf who  grew up singing for tips on the streets. It was a fairly long ride but made interesting by a Frenchman who had obviously had too much wine.  He kept trying to get someone to sing with him but was unsuccessful.

It was a great day, one we will long remember.  I think the painter was right.  I can't say exactly what it is about Paris, but it's my favorite city, too.

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Apr 20, 2011

A Traveler's Sketchbook

I have been an avid sketchbook artist for many years. I always have one with me.  My car has one also.  And, yes I do draw on napkins at restaurants sometimes.  When I first started drawing before toilet training I would have used a sketchbook them but, alas, my parents didn't get me one.  I'm not really sure if they are visual image repositories or just annotated journals.  I can't conceive of an artist or the hands of the curious being without one.

Over the years I have developed some preferences in sketchbooks.  I prefer a small book  (14 x 21.6 cm)
with paper as heavy as I can find.  I prefer 90lb paper.  Because if you want to add color with watercolor the heavier paper will wrinkle less. For drawing, I prefer a black ballpoint, something like you would find on the nightstand at Motel 6.  I have used pencil, but it smears unless you carry a travel size aerosol of hairspray or fixative to fix the drawing.  I usually lost the hairspray.  In the back of my sketchbooks a paste an envelope of a size that will fit.  This is great place to keep ticket stubs, tokens business cards or maybe a few pesos. I use my books daily whether traveling or not. I develop painting ideas, make notes for videos,  copy song lyrics and  add about anything else that will fit.

Here are some examples:


On these pages I've worked out a color scheme for a painting on the upper left while below it I have done a storyboard for a video presentation.




The right side has value sketches and designs to be included in the video.




On the left page recounts an interesting event.  We were in a restaurant in Newcastle, England, where the service was extremely slow.  We entertained ourselves by writing limericks on post-its and sticking them on the page. 
On the right is a small drawing from Scotland with watercolor wash. (I usually do the washes in a hotel room in the evening rather that on site.)





Above on the left is a watercolor sketch for a larger painting.  I like to work out the a lot of the detail in the smaller scale.  In the book on the right  are rubbings of foreign coins.  I normally don't carry a pencil, but my wife loaned me an eyebrow pencil which worked quite well.   You will note on the top of the next page over the miscellaneous drawings is the layout of a hotel room.  Yes, I draw floor plans and maps as well. One of the books has a  extensive collections of drawings of the ruins of a 18th century South Carolina mill and the probably machinery for its operation.

Not shown are rubbings of plants, stickers, labels from beer bottles, collages, stampings, and other stuff.  (One of my books has a passport stamp in it.) Did mention "doodles"? The books are not just for drawings.

My sketchbooks are quite autobiographical.  They will tell you where I was and usually what I was thinking at a perticular point in time. if you don't have a sketchbook, get one!  If you have one, ise it!  You'll be glad you did.

Apr 18, 2011

James Gurney, the dinosaurs are coming!

On Sunday we were due our monthly Barnes and Noble fix. I have a prescribed route I take in the store. First, what's new in the cheap stuff in the lobby, then past the books in the main aisle. If it is the usual browsing mission then to the art books and finally to the magazine stand to peruse the newest periodicals. After scavenging knowledge on subjects from cinema  to Google hacks, I'm picking up a few and heading to the coffee shop where the odor of Starbucks blends with that of printers ink for that most intoxicating of aromas. With my decaf mocha I'll enjoy my latest  issue of my favorite publication with my mate. And there are always new discoveries. Enter James Gurney.
Gurney is most well known for his Dinotopia books which are illustrated stories from an imaginative land inhabited by dinosaurs and people. His work from concept to execution is fantastic. The style is like that of the twentieth century illustrators, Howard Pyle, N. C. Wyeth and Norman Rockwell. But I like to find out more about these people who introduce us to the fantastic. Where do they come from? What is their training? What inspires them?

from Fire and Ice
James Gurney was born in 1958 and grew up in Palo Alto, California. His father was a mechanical engineer and he was the youngest of five children. Much like me he liked to tinker and build things as a boy. He studied archaeology at the University of California, Berkeley, but received a BA in Anthropology in 1979. He then studied illustration at the Art Center College of Design in Pasadena, California for a couple of semesters. After a cross-country trip, he and Thomas Kinkade (aka, The Painter of Light) coauthored The Artist’s Guide to Sketching in 1982. Gurney and Kinkade also worked as painters of background scenes for the animated film Fire and Ice, co-produced by Ralph Bakshi and Frank Frazetta. Frezetta was a well know painter of fantasy magazine covers. Gurney produced many magazine covers for the science fiction and fantasy publications. National Geographic Magazine was a client, and he produced a series of illustrations of dinosaurs for U.S. postage stamps. In 1992 he published Dinotopia: A Land Apart from Time which became a best seller. Later he produced sequels to the book. His paintings have the quality of the classical illustrators with unerring accuracy to detail as seen in the video below. Notice that his medium is oil usually applied in transparent layers. The anatomical accuracy of the animals and the technical accuracies of mechanical objects is unbelievable. Although, I'm not quite sure how you would ascertain the accuracy of mythical beasts and fictional mechanical objects. He currently lives in Rhinebeck, New York, and continues to produce great art along with books on art instruction as well and maintains two websites and a blog.



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Apr 15, 2011

Tinkerer's Delight

I am a confessed tinkerer.  I think it's genetic. My brain as a child was warped by reading those books about famous inventors and scientists. I believed that I could build anything.  I did have may famous follies.  Most notable was a rocket. In the 1950's space travel was depicted in Life Magazine as rocket and satellite whizzing through the universe.  Why should I not build my own model rocket from scratch.  I had built model planes and cars.  My first plane was a Piper Cub, built it before I could read, just followed the step-by-step pictures.  When I was about  and my interest in rockets peaked I would build a gunpowder powered rocket.   Around the house I found everything I needed: gunpowder from Dad's shotgun shells, an empty toilet paper tube for the body of the rocket, and a nosecone I whittled from the wood of a packing crate.  After assembly, needed a way to ignite the powder remotely.  I didn't want to use a traditional fuse. (That would put me too close to the rocket.  I scrounged a bit of with from a discarded hot plate and wrapped between two nails and inserted it into the tail of the rocket.  I had an old piece of two-conductor wire with a plug on it and attached one wire to each nail.  Time for the countdown.  3-2-1-(plug it in)-Blast-off!
Smoke and fire were forthcoming, but it did not move.

My family was upset about the loss of electricity.  I was severely admonished for another one of my "scientific" projects.

I can't help but wonder what I could have done with the shop below.