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I cannot refrain from making the monoprint made on the inkjet printer. There is something about the strong almost flat image image of the objects that I like
. It does at times become difficult to introduce atmospheric perspective. In other words to have the correct value in distant objects. The titles are "#3" for the one on the left and "The Monument" for the one on the right. Each has different techniques. "The Monument" has both cut and torn paper stencils and "#3" has the addition of painted elements. You will note the use of resist on the stone monolith in "The Monument".
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I'm not really sure where these techniques can lead. Except that the effects are easily reproduced in Photoshop.
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